If you’re looking for Roland FA-08 review, then you’re at the right article. In this article, you’ll get complete guidelines for Roland FA-08 review. For years, Roland has been the monolithic name for workstation synths, releasing an incredible line of keyboards and making a name for itself in both studios and live players. The Fantom series for many years has probably been one of the most recognizable and recognizable analog synth keyboards ever released, and today these powerful synths are behind countless live and studio acts. Powers the sound.
The FA series represents the latest evolution of this line, even if it deviates from the usual design of the workplace. Therefore, this review will help you dig deeper into the Roland FA-08 to determine if this is a machine that can meet all your expectations, or if you need to look elsewhere in the market to meet it. Let’s start our Roland FA-08 review!
BUILD QUALITY & OVERVIEW
At the beginning of the Roland FA-08 review article let’s talk about its build quality and overview. The first factor that struck me approximately this new layout from Roland is the greater minimalistic, no-frills layout, mainly as compared to preceding entries withinside the Fantom series. Everything is specified in a completely simplistic, purposeful way, and honestly, the format leaves little to be desired.
The Roland FA-08 has an 88-key weighted keyboard, which I found great to play with. In fact, I found the keys to be pretty fast, especially on weight keyboards. With this, you can certainly imagine playing a long sentence without getting too tired. Pianistic playing feels natural and smooth, but it also has many benefits when played in a keyboard or organ-based style.
As for the user interface itself, everything is focused on the large full-color LCD panel, which contains the most important settings for the workstation. This central main module has categorized quick navigation buttons, selectable scroll wheels, and various other navigation buttons and controls.
The LCD panel itself is of very high quality and has a lot of informative design layouts that don’t seem cluttered. If you dig deeper into the menu system and start editing, navigating can be a bit confusing. I wish my device had a touch screen to make the workflow a bit easier. However, this is a small complaint and in most cases, the interface works fine.
Here you can adjust the tempo using both the rotary knob and the tap tempo button. This is a welcome addition that is rarely seen these days. The rest of this section is dedicated to the sample pad section, sequencer settings, and additional parameters to control playback. This section is basically the Roland SP404SX phrase sampler built into your workstation. 16 sounds are loaded into 4 banks and loaded instantly, perfect for live situations. Uploading samples is very easy and the pads are comfortable.
In this Roland FA-08 review article let’s discuss its user interface. What impresses me most about Roland synthesizers is that they all generally follow the same style and pattern design. That’s good because their patent style works well, so that’s what they stick to. I prefer the look and feel of this synth to the other Roland synths I’ve tested and most 88 key synths in general. It’s comparable to the Yamaha TYROS5 and it would be not easy to choose one based solely on the user interface. It’s a toss-up. The interface is very clean and beginner-friendly, so it’s a straightforward instrument to play and learn. I don’t call it a novice synth because it’s a lot more complicated than something like the Korg Mini. This product is ideal for at least moderately experienced people and for professional and recreational players.
The body is slim and light, so you can touch the style again. The actual border itself is matte black, not glossy (no fingerprint magnets). The key is screwed in firmly and reacts. In general, I’m not dissatisfied with the physical aspects of synthesizers. Roland has nailed this aspect of their product and deserves to be listed as one of the best synths of the year.
As you can imagine, the sound quality of the Roland FA-08 is excellent. There are some minor complaints that the piano sounds particularly good, but the overall sound is pretty good and much better than many other products like the MX61 and Kross. Yes, these are 61-key keyboards by comparison, but given the price range, it’s a fair comparison. Check out this demo to get a more general feel for the workstation sound and whether the sound and style suit you. It’s important to remember that this is a very versatile device and will work in almost all situations, but it won’t be exactly cheaper, so you’ll have to dig deeper into the product before actually buying it. I have.
The Roland FA-08 has various available choices, including nearly all that you really want for a port. The backboard has two adjusted 1/4 “yields, a lengthy SDHC card opening (4GB card preloaded-it feels better), a sub yield, a 1/8” input, and an uneven ¼ “input. Obviously, there are two attachments for the support pedal and one for the lengthy pedal help.
Finally, it contains two USB ports. One is for connecting to a computer and the other is for integrating with a flash drive or wireless dongle. Overall, the options are plentiful and the Roland FA-08 can be used more or less as a central processing unit for studio or rye black setups if desired.
The sound that has emerged from the Fantom series workstations over the years is legendary, and the quality of creative freedom comes from the always-impressive synthesis engine that powers the workstation. This time it’s not that impressive. It has a 128-note polyphonic synthesizer engine with full 16-channel multitimbral capabilities. Roland’s latest sound generation technology, SuperNatural Soundbank, is included in both the SuperNatural synth soundbank and the bank of audio equipment such as drums, pianos, organs, and guitars.
These sounds come directly from Roland’s top sound module, Integra7, and contain a total of about 2,000 different tones. All of these different tones can use up to three oscillators per voice, with different filters, envelopes, amps, and LFOs to round the individual sounds.
The tones themselves are organized into 20 categories that span the 10 buttons at the bottom of the LCD panel, so you can instantly find exactly what you’re looking for. Each button has two similar categories: bass and synth bass, synths and pads, and piano / E-piano sounds. Tones can be further broken down into what’s called a studio set, organized into up to 16 parts, and layered and distributed throughout the keyboard as needed.
You can also set it to any MIDI channel. In other words, you can play as many as you like at the same time. It turns out that there is real power here and within minutes you’ll get a really huge “synth wall” sound to play with this model.
EFFECTS AND MODIFIERS
The effects on the Roland FA-08 are so impressive that you have great control over all the different tones and studio sets you create. The six knobs on the left side of the workstation control all the different effects, and when you click the select button, the functions listed below the knobs are listed in sequence.
The great thing about this section is that you can assign your own multi-effects to your studio set using any combination of 67 built-in effects. It has its own reverb effect, various tape simulation and slicing effects, and global chorus settings for good measurement. All of these different effects combined with their extensive customization options create a truly adaptable and creatively inspired workspace.
At first glance, I thought the sequencer was a retrofit of Roland FA-08. User interface controls may seem minimal and superficially deep, but a closer look at the options available in the menu system reveals that this feature is much deeper than originally expected.
Supports a complete, uninterrupted 16-track sequence, so you can edit the sequence in real-time, select tracks via the sample pad, and pan, volume, reverb, and chorus controls for all different sequences individually. Access the mixers we offer or the whole thing.
One of the great features I haven’t tried unfortunately is that I can render the sequence to an SD card as a full quality wav file so I can put it in my DAW without re-recording anything. If you use this feature correctly, you can imagine becoming a producer’s best friend.
In this Roland FA-08 review now we’ll talk about its comparison with another piano. After that comparison, you’ll get a complete idea. It is a well-known fact that the workstation market has taken years to develop and mature, resulting in the production of some truly excellent products and Roland behind many of them. That said, there are many other names in the arena, many of which are developing products that directly compete with Roland FA-08.
Let’s take a look at some of these products and get a real grasp of the measurements up to Roland FA-08.
ROLAND FA-08 VS KORG KRONOS
Korg Kronos is not a true competitor to the Roland FA-08 in terms of features and price. For nearly $4,000, the absolute beast of this workstation packs an essentially authentic DAW into the heart of your keyboard. Equipped with 9 different sound engines, it can play almost any sound that exists. This all means that it is safe to assume that these two products will be used by different people for different purposes.
If you are looking for a product that produces music effectively and you have a reasonable budget, I think Roland FA-08 is a better deal. But if you’re looking for an incredibly exciting and complex sound design giant, few are as sophisticated as Kronos.
ROLAND FA-08 VS YAMAHA MOX F8
The Yamaha MOX F8 is a much closer competitor to the FA series than the Kronos in terms of both price and functionality. There are some differences between the two products, but both offer excellent sound quality, a wide range of features, and many additional customization options.
Of these two, the most important is noise. I’m more inclined to Roland’s synthesizer sound and its SuperNatural sound engine. I think the Roland FA-08’s soundbank, features, and overall feel are perfect for me, so I recommend trying both products before making a decision.
ROLAND FA-08 VS KORG KROME
The Korg Krome is another 88-key synthesizer that offers the same basic and sound design features as the FA series, with a few notable exceptions. Many reviewers have complained about the Krome keyboard and have stated that there are many price demands for bed quality.
I have to agree. In a quick playtest, I noticed that chrome was badly lacking in terms of overall “feel”. This is very important to me as a performer.
ROLAND FA-08 VS ROLAND FA-06
The £12.6 FA-06 is probably the lightest full-featured workstation I’ve come across. Its keyboard is an unweighted 61-key synthesizer action with velocity sensitivity, but no aftertouch (like many other affordable keyboards these days).
The mechanics are surprisingly solid and responsive, but if you plan to play a lot of pianos, it may not be the best choice. If that category, Roland will create a weighted 88-key version of Roland FA-08 (which, of course, will be reviewed today).
FA-08 VS THE FANTOM G8
Comparing the two, the first thing that surprises me is the big difference in weight. The G8 weighed about 80 pounds and was difficult to tour. I spent three years getting the G8 in and out of the music venue, which was overkill. The Roland FA-08 weighs only 35 pounds. For me, this was a big upgrade as I didn’t have to worry about carrying it alone. The appearance of the keyboard is also very different.
Because the G8 is made of metal, it was always too cold or too hot. It doesn’t turn on even if it gets too cold, so I waited for it to get warm before turning it on. It turned me off when it got too hot outside. Roland FA-08 does not overheat and it does not matter if it gets too cold. For me, these were two big wins for Roland.
This keyboard is optimized for easy music creation. The G8 supports computer mice, but the Roland FA-08 does not. It’s not a big deal for me as I don’t record music with the keyboard. Mouse functionality may be required if you want to make all recordings on your workstation.
Video Overview of Roland FA-08!
In this Roland FA-08 review article let’s talk about its bonus section, take a quick look at the main strengths and weaknesses of Roland FA-08.
OVERALL – IS THE ROLAND FA-08 WORTH IT?
Some synth keyboards are harder to explain than others, and this is one of them. In general, this is always the case with the best synthesizers. The amount of complexity and beauty packed into one instrument is indescribable.
Many people are excited about the product after actually testing it and experiencing the features of the workstation. Fortunately, there are platforms that allow you to see things like this even if you’re not in the physical presence of the product. The Roland FA-08 is a very eloquent and sophisticated synthesizer, perhaps the most powerful Roland product we’ve ever tested. If you’re looking for the best in terms of sound quality and amount of features, this is a product to consider.
At the end of our Roland FA-08 review article, we wanna say that the FA08 is one of Roland’s best synth workstations to date, and the price, feature set, and quality of every aspect of the product have exceeded my expectations. It’s a great choice for you.
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